Several singles recorded by Bilk reached the British pop charts, including the ballad 'Stranger on the Shore'. The clarinet's place in the jazz ensemble was usurped by the saxophone, which tasks a more valuable sound and uses an easier fingering system. The requirement for an increased speed of execution in modern jazz also did not favour the clarinet, however the clarinet did not completely disappear. A few avid gamers such as Buddy DeFranco, Tony Scott, and Jimmy Giuffre emerged during the 1950s gambling bebop or other styles. A little later, Eric Dolphy on bass clarinet, Perry Robinson, John Carter, Theo Jörgensmann, and others used the clarinet in free jazz. The French composer and clarinetist Jean Christian Michel initiated a jazz classical cross over on the clarinet with the drummer Kenny Clarke. Even though it has been adopted recently in Albanian folklore across the 18th century, the clarinet, or gërneta as it is called, is among the most important devices in Albania, particularly in the central and southern areas. The clarinet plays an important role in saze folk ensembles that carry out in weddings and other celebrations. It is worth mentioning that the kaba an instrumental Albanian Isopolyphony protected in UNESCO's intangible cultural background list is attribute of those ensembles. Prominent Albanian clarinet gamers include Selim Leskoviku, Gaqo Lena, Remzi Lela Çobani, Laver Bariu Ustai, and Nevruz Nure Lulushi i Korçës. The reed on a clarinet is responsible for the construction of sound on the tool.